And there were nineteen pages copied from the location file, one for each missing object, each with a little drawing that showed where the second number was hiding.
I didn’t need the pages.
I brought them because a registrar never trusts her own memory in public.
Paper is what you hand to someone who doesn’t believe you.
At nine, I called Neva.
I’d told her everything by then.

“Seventy-five,” I said. “How does it feel?”
“Like seventy-four with more cake.”
“Are you sleeping some?”
“Harley, you were always the one who stayed up worrying for both of us.”
“Somebody had to. You kept losing your shoes.”
She laughed, and then she didn’t.

“Is it tomorrow?”
“It’s tomorrow.”
After we hung up, I read Kaye’s message again.
“Okay I miss you”
I read it more times than I’d admit to anyone but you.
I slept four hours, and I dreamed about foam.

Before I tell you what happened at booth 41, if you’ve ever been blamed for something you reported yourself, type “CHAIN OF CUSTODY” in the comments.
I read everyone, and I’d like to know I’m in good company.
At 7:45 on Saturday morning, I parked behind the Merchants Building at the Tolbert County Fairgrounds, wearing my navy blazer and my best white blouse.
The Merchants Building is a long metal barn with a concrete floor.
On the last Saturday of September, it holds 86 antique dealers at folding tables, and it smells like old paper, furniture polish, and the kettle corn from the stand by the north door.
The detective and Elwood were already waiting at the side door, and Bud Kinnaman let us in.

He’s 70 and has run the fall show for 31 years, and he wears a canvas apron with a pocket full of dealer badges.
“Hall was locked at nine last night,” he told the detective. “Fair board keys. Nobody gets in before seven.”
He showed her the dealer contract.
Paragraph 6 says every dealer promises to have clear title to everything on their table.
Paragraph 7 says the show manager can close any booth at any time.
He’d added that one in 2015, he said, after a man tried to sell a church its own candlesticks.

Detective Havamp had one deputy with her, in jeans and a fleece.
Elwood stood by the coffee urn in his bow tie.
Booth 41 was already set up from the night before, with green velvet cloths and price tags on white strings.
Nobody touched it.
The detective wanted Twila standing there when anything was opened so no one could ever say something had been added.
At 8:52, the side door banged open.

Twila came in first with a zippered cash bag under her arm.
Christa came behind her carrying a box.
Garrick came last, carrying two.
At nine, Bud propped open the front doors, and the first shoppers wandered in with tote bags and coffee.
Twila set her cash bag on the table and unzipped it.
That sound again.

Then Christa looked up and saw me standing by the kettle corn.
She stopped in the middle of the aisle with a box of tintypes against her chest, and she didn’t move at all.
Detective Havamp walked to booth 41 with the warrant folded in her hand.
She showed it to Twila and explained it in a low, even voice.
I couldn’t hear her words, but I could hear Twila’s answer just fine.
“This is harassment! She’s the thief!”

She pointed at me across the aisle, and heads turned.
A man selling fishing lures stood up behind his table.
Two women with matching tote bags stopped and pretended to study a butter churn.
Bud came over and asked everyone politely to give the officers some room.
Nobody gave anybody any room.
Within a minute, there were about forty people around booth 41.

Dealers and early shoppers, a teenage boy holding a funnel cake, and one elderly man in a VFW cap who said:
“Now this is a show.”
The detective nodded at me, and I crossed the aisle.
Christa found her voice.
“Don’t let her touch anything! She’ll plant something!”
I didn’t answer her.

I took the new gloves out of my blazer pocket and put them on one finger at a time, the way I’ve done ten thousand times.
The crowd went quiet the way a classroom does when the teacher stops talking.
At the near end of the table sat a powder horn, scraped thin and polished the color of honey, with a brass collar at the wide end and a wooden plug.
The price tag on its string said:
“$680. Ohio, circa 1840.”
There had once been a painted number on its side: 1931.6.8.

Someone had scraped it off, and you could see the rough patch if you knew where to look.
I knew where it had been.
I also knew where the other one was.
I told them where to look before I looked.
“Inside the brass collar,” I said. “On the inner rim facing the plug. A red six, a dot, and an eight.”
I said it loudly enough for all forty people to hear.

Then I stepped back and kept my gloved hands at my sides.
The deputy picked up the horn in his own gloves.
He shone his flashlight into the collar and turned the horn slowly, a quarter inch at a time.
And then he stopped.
“Six point eight,” he said. “In red.”
A murmur went through the crowd like wind through dry corn.

Detective Havamp photographed the collar, then the price tag, then my page from the location file.
It had a little drawing of a horn with an arrow pointing into the collar.
The page was dated 1988.
The ink had faded brown at the edges, but the arrow hadn’t moved in 38 years.
Twila laughed.
It wasn’t a good laugh.